Lighting interiors with a single source
Notes from a small kitchen sequence on Root — how a single tungsten bulb and a bounce card carried the entire scene.
Occasional field notes from set — lighting diagrams, lens tests and the small, stubborn lessons of working in the dark.
Featured in The Times of India: actor-director Adhi on collaborating with Arjun Raja as the cinematographer of Sivakumarin Sabadham — a conversation about craft, trust and going the distance for the frame.
Watch the full conversation on Jaya TV — Arjun Raja speaks about his journey as a cinematographer, working across South Indian cinema and the craft behind the frame.
Notes from a small kitchen sequence on Root — how a single tungsten bulb and a bounce card carried the entire scene.
On the quiet authority of a 35mm prime: how it teaches restraint, geography and the gift of moving the camera with the actor.
Building a muted, ochre-leaning palette that mirrors the protagonist's interior life — pre-pro tests, LUT design and on-set monitoring.
The most underrated DOP skill: knowing when to put the meter down and just listen to the actor's breath.